Sunday, September 21, 2008

Sigur Ros, September 19, 2008, Boston




What an incredible night at the Bank of America Pavilion. The night was chilly, but Sigur Ros was anything but. Their new album, Med Sud I Eyrum Vid Spilum Endalaust, is upbeat and uptempo, and the concert was as well.

Sigur Ros is straightforward in concert. Jon chatted with the audience on two occasions to get people to sing along. Sing along with Sigur Ros, you might ask? More of a high-pitched whir, but a good bonding moment with the audience. The band performs slightly reconfigured versions of their album cuts, with strong visual images. The lighting is good, but sparse; the movement even more sparse. But a Sigur Ros concert is about the wall of sound the band creates, and they succeeded song after song.

The songs off the new album set the tone for the evening, and the songs from previous albums, while more traditional Sigur Ros, were layered with guitars and feedback that gave them an almost rocking edge. The band did seem to be having some technical difficulties--members of the stage crew were regularly on the stage to tweak things--but this was a fine night of music and filled a gap in my musical education.

The concert got off to a great start with Parachutes, another Icelandic band clearly influenced by Sigur Ros. The ten members of the group played a huge range of instruments with lilting melodies and minimalist orchestrations. Expect more, and give a listen to the four songs on their myspace page.

(Top pics are from Chris Devers over at Flickr, the bottom ones are from my iPhone.)

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Saturday, September 6, 2008

I'm Not Usually Overtly Political on this Blog...But!



Isn't this the kind of hypocrisy the main stream media might consider exposing?

Monday, September 1, 2008

Devastating

This would be my one-word review for August: Osage County.

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Really, there isn't much to add to the chorus of unanimous praise Tracy Letts' play has received. Yes, 3:45 minutes in the theater moves like time is flying by. Yes, you laugh. Hard. Yes, the direction of this show by Anna Shapiro is extraordinary. This is great theater.

Two shows this season left me literally catching my breath: Passing Strange and August: Osage County. The possibility that a play might be so good that I forget to breathe is what keeps me going to the theater. A lot. Whenever I can. And this is after experiencing Welcome to the Club all those years ago. Two have had two such breath-taking experiences in one season is a first, and it gives me great hope.

The August replacement cast, led triumphantly by Estelle Parsons, honor this amazing work. Not a line is wasted, not a moment is misused. Parsons is harsh, unforgiving and not a little crazy. Amy Morton, as daughter Barbara, is beautiful and frightening as she becomes her mother. I also thought that understudy Dee Pelletier gave a truly riveting performance as Ivy. But these performances were simply the rising tide that allowed everyone in the cast to give the most memorable of performances.

August: Osage County is, in the end, a show of dichotomies. We love these characters as much as they disgust us. We laugh hard (honest laughs) as we gasp at the gravity of the pain these characters inflict on each other. We're energized even as we endure.

Now go hug your mother

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